Copyright © 2011 Digital Violin Archive Project
of Chimei Museum All Rights Reserved.
Music Appreciation
- / France Music /
- Jean-Marie Leclair《Violin Sonata in D Major, Op. 9, No. 3》
- Jules Massenet《Meditation de “Thaïs”》
- Gabriel Fauré《Après un Rêve, Op.7, No.1》
- Gabriel Fauré《Berceuse, Op. 16》
- Gabriel Pierne《Serenade, Op.7》
- Francois Joseph Gossec《Gavotte》
- Ambroise Thomas《Gavotte from “Mignon”》
- Cécile Chaminade《Serenade Espagnole, Op. 150》
- Pablo Martin Meliton Sarasate《Carmen Fantasy》
- Jean-Marie Leclair《Tambourin, Violin Sonata in C Major, Op.5, No.10》
- Ernest Chausson《Interlude, Op.19, No.2》
- Saint-Saëns《Caprice after a Study in Form of a Waltz, Op.52》
- Saint-Saëns《Mon coeur s'ouvre a ta voix from Samson et Dalila》
- Maurice Ravel《Kaddisch from Deux mélodies hébraïques, No.1,》
- Maurice Ravel《Berceuse》
- Claude Debussy《Rêverie》
- Claude Debussy《La Plus que Lente》
- Cécile Chaminade《Sérénade aux Étoiles, Op.142》
- Georges Bizet《Adagietto from L’arlésienne》
- Gabriel Fauré《Après un Rêve, op.7 no.1》
- Gabriel Fauré《Siciliene》
- Maurice Ravel《Tzigane》
- Claude Debussy《Clair de lune》
- Georges Bizet《Prelude from Carmen Suite》
- Maurice Ravel《Bolero》
- Charles-François Gounod《Ave Maria》
- Gabriel Fauré《Le jardin de dolly》
- Maurice Ravel《Piece en forme de Habanera》
- Jules Massenet《Thaïs Méditation》
- Camille Saint-Saëns《The Swan,fr." Carnival of the Animals"》
- Jacques Offenbach《"Barcarolle from "Les Contes d'Hoffmann>》
《Piece en forme de Habanera》
Maurice Ravel (1875-1937)
Maurice Ravel was one of the most important composers in early 20th century France. The Habanera was a genre of dance music popular in Cuba in the 19th century. The "habanera rhythm" serves as the driving pulse of the music and is usually present in the lower register of the accompaniment throughout a piece. In 1907 Ravel composed Vocalise-étude en forme de Habanera, drawing on the slow, passionate Spanish-style dance as its basis. Filled with exotic sensibilities, the piece was originally composed for piano and bass voice. The ornate, complex musical figures demand exceptional technical virtuosity from the performer. Ravel later rearranged the piece for piano and cello, while retaining the refined virtuosity of the original version. The passionate, vibrant flavor of this piece has resulted in the addition of numerous new versions and adaptations. The cello in this recording was made by French luthier Jean-Baptiste Vuillaume (1798-1875) in 1863. Complementing the habanera rhythm in the piano, the French instrument reveals an enchanting melody that adds to the enigmatic allure of the piece, leaving infinite space for the imagination of the audience to take flight.