Copyright © 2011 Digital Violin Archive Project
of Chimei Museum All Rights Reserved.
Music Appreciation
- / France Music /
- Jean-Marie Leclair《Violin Sonata in D Major, Op. 9, No. 3》
- Jules Massenet《Meditation de “Thaïs”》
- Gabriel Fauré《Après un Rêve, Op.7, No.1》
- Gabriel Fauré《Berceuse, Op. 16》
- Gabriel Pierne《Serenade, Op.7》
- Francois Joseph Gossec《Gavotte》
- Ambroise Thomas《Gavotte from “Mignon”》
- Cécile Chaminade《Serenade Espagnole, Op. 150》
- Pablo Martin Meliton Sarasate《Carmen Fantasy》
- Jean-Marie Leclair《Tambourin, Violin Sonata in C Major, Op.5, No.10》
- Ernest Chausson《Interlude, Op.19, No.2》
- Saint-Saëns《Caprice after a Study in Form of a Waltz, Op.52》
- Saint-Saëns《Mon coeur s'ouvre a ta voix from Samson et Dalila》
- Maurice Ravel《Kaddisch from Deux mélodies hébraïques, No.1,》
- Maurice Ravel《Berceuse》
- Claude Debussy《Rêverie》
- Claude Debussy《La Plus que Lente》
- Cécile Chaminade《Sérénade aux Étoiles, Op.142》
- Georges Bizet《Adagietto from L’arlésienne》
- Gabriel Fauré《Après un Rêve, op.7 no.1》
- Gabriel Fauré《Siciliene》
- Maurice Ravel《Tzigane》
- Claude Debussy《Clair de lune》
- Georges Bizet《Prelude from Carmen Suite》
- Maurice Ravel《Bolero》
- Charles-François Gounod《Ave Maria》
- Gabriel Fauré《Le jardin de dolly》
- Maurice Ravel《Piece en forme de Habanera》
- Jules Massenet《Thaïs Méditation》
- Camille Saint-Saëns《The Swan,fr." Carnival of the Animals"》
- Jacques Offenbach《"Barcarolle from "Les Contes d'Hoffmann>》
《Berceuse》
Maurice Ravel (1875-1937)
In September of 1922, the French music magazine Revue Musicale published a featured article on the 77-year-old composer Gabriel Fauré and asked Maurice Ravel to compose a special piece for his mentor. Ravel used the letters in Fauré's name to create a melodic string of notes "GABDBEEFAGDE," and thus emerged the piece Berceuse sur le nom de Gabriel Fauré. In the beginning of the piece, when the melody representing Fauré appears, the descending figures in the piano accompaniment convey a restless, somber feeling, as if hinting at the deteriorating health of Ravel's mentor. Subsequently, the violin plays the three notes "AGD" repeatedly, in a sincere manner as if saying "thank you" over and over again. The melody representing Fauré appears repeatedly in a dream-like, tranquil setting of reminiscence. Toward the end the melody is even played by the piano, while the violin plays overtones as the volume of the piece decreases and gradually fades in the end. Although the piece is less than three minutes long, which might have been due to Ravel's composition habits and his unstable situation at the time, it reveals the profound admiration and respect Ravel had for his teacher. The violin used in this recording was made by French luthier Jean-Baptiste Vuillaume (1798-1875) in 1850.