Copyright © 2011 Digital Violin Archive Project
of Chimei Museum All Rights Reserved.
Music Appreciation
- / France Music /
- Jean-Marie Leclair《Violin Sonata in D Major, Op. 9, No. 3》
- Jules Massenet《Meditation de “Thaïs”》
- Gabriel Fauré《Après un Rêve, Op.7, No.1》
- Gabriel Fauré《Berceuse, Op. 16》
- Gabriel Pierne《Serenade, Op.7》
- Francois Joseph Gossec《Gavotte》
- Ambroise Thomas《Gavotte from “Mignon”》
- Cécile Chaminade《Serenade Espagnole, Op. 150》
- Pablo Martin Meliton Sarasate《Carmen Fantasy》
- Jean-Marie Leclair《Tambourin, Violin Sonata in C Major, Op.5, No.10》
- Ernest Chausson《Interlude, Op.19, No.2》
- Saint-Saëns《Caprice after a Study in Form of a Waltz, Op.52》
- Saint-Saëns《Mon coeur s'ouvre a ta voix from Samson et Dalila》
- Maurice Ravel《Kaddisch from Deux mélodies hébraïques, No.1,》
- Maurice Ravel《Berceuse》
- Claude Debussy《Rêverie》
- Claude Debussy《La Plus que Lente》
- Cécile Chaminade《Sérénade aux Étoiles, Op.142》
- Georges Bizet《Adagietto from L’arlésienne》
- Gabriel Fauré《Après un Rêve, op.7 no.1》
- Gabriel Fauré《Siciliene》
- Maurice Ravel《Tzigane》
- Claude Debussy《Clair de lune》
- Georges Bizet《Prelude from Carmen Suite》
- Maurice Ravel《Bolero》
- Charles-François Gounod《Ave Maria》
- Gabriel Fauré《Le jardin de dolly》
- Maurice Ravel《Piece en forme de Habanera》
- Jules Massenet《Thaïs Méditation》
- Camille Saint-Saëns《The Swan,fr." Carnival of the Animals"》
- Jacques Offenbach《"Barcarolle from "Les Contes d'Hoffmann>》
《Siciliene》
Gabriel Fauré (1845-1924)
Sciliene, Op.78 is considered one of Fauré's most well known pieces. Faure is especially known for his ability to create beautiful and fluid melodies, as aptly demonstrated in this piece. The song is in ternary ABA form; the piano plays elegant, lyrical arpeggios, evoking the image of a little boat drifting on a lake with ripples of light reflected off water’s surface, while the cello plays melodic patterns typically used by Fauré. Although the repeated rhythmic pulses are clear and simple, the piece creates an exceptionally mystical, charming quality. The cello used in this recording was made by French luthier Jacques Boquary (1680-1730) in 1719. The low murmurs of the cello encapsulate a mild melancholy and allow the composer and performer to lead the audience into an unknown, foreign land through the common language of music.