Copyright © 2011 Digital Violin Archive Project
of Chimei Museum All Rights Reserved.
Music Appreciation
- / France Music /
- Jean-Marie Leclair《Violin Sonata in D Major, Op. 9, No. 3》
- Jules Massenet《Meditation de “Thaïs”》
- Gabriel Fauré《Après un Rêve, Op.7, No.1》
- Gabriel Fauré《Berceuse, Op. 16》
- Gabriel Pierne《Serenade, Op.7》
- Francois Joseph Gossec《Gavotte》
- Ambroise Thomas《Gavotte from “Mignon”》
- Cécile Chaminade《Serenade Espagnole, Op. 150》
- Pablo Martin Meliton Sarasate《Carmen Fantasy》
- Jean-Marie Leclair《Tambourin, Violin Sonata in C Major, Op.5, No.10》
- Ernest Chausson《Interlude, Op.19, No.2》
- Saint-Saëns《Caprice after a Study in Form of a Waltz, Op.52》
- Saint-Saëns《Mon coeur s'ouvre a ta voix from Samson et Dalila》
- Maurice Ravel《Kaddisch from Deux mélodies hébraïques, No.1,》
- Maurice Ravel《Berceuse》
- Claude Debussy《Rêverie》
- Claude Debussy《La Plus que Lente》
- Cécile Chaminade《Sérénade aux Étoiles, Op.142》
- Georges Bizet《Adagietto from L’arlésienne》
- Gabriel Fauré《Après un Rêve, op.7 no.1》
- Gabriel Fauré《Siciliene》
- Maurice Ravel《Tzigane》
- Claude Debussy《Clair de lune》
- Georges Bizet《Prelude from Carmen Suite》
- Maurice Ravel《Bolero》
- Charles-François Gounod《Ave Maria》
- Gabriel Fauré《Le jardin de dolly》
- Maurice Ravel《Piece en forme de Habanera》
- Jules Massenet《Thaïs Méditation》
- Camille Saint-Saëns《The Swan,fr." Carnival of the Animals"》
- Jacques Offenbach《"Barcarolle from "Les Contes d'Hoffmann>》
《Sérénade aux Étoiles, Op.142》
Cécile Chaminade (1857-1944)
Cécile Chaminade (1857-1944) was born in Paris. Due to the social trends during which Chaminade lived, most of her music consisted of simple, elegant saloon pieces that did not require exceptional technical demand. In 1913, Charminade became the first female recipient to be awarded the Légion d'honneur by the French government. Displaying the natural, subtle characteristics of French saloon music, Sérénade aux Étoiles was originally written for flute and piano accompaniment. The notes float smoothly over the 12/8 time signature, conveying a carefree, relaxed feeling. The melody played by the flute flows intricately between the low and high registers, at times tranquil and velvety, at times jovial and detached, forming an intimate dialogue with the piano. The violin used in this recording was made by French luthier Jean-Baptiste Vuillaume (1798-1875) in 1850. The violin plays the original flute part of the piece. The wide range of the violin and its lustrous timbre make this version in no way less remarkable than the original arrangement.