Copyright © 2011 Digital Violin Archive Project
of Chimei Museum All Rights Reserved.
Music Appreciation
- / Others /
- Heinrich Biber《Sonata Representativa》
- Sergei Rachmaninoff《Sonata for Cello and Piano in G Minor, Op. 19, Mov. 3》
- Alexander Glazunov《Chant du Ménestrel, Op.71》
- Pyotr Ilyich Tchaikovsky《Nocturne, Op. 19, No. 4》
- Folksong《Jasmine Blossoms in June》
- Charles Auguste de Bériot《Scène de Ballet, Op. 100》
- Josef Suk《"Appassionato”from Pieces for Violin and Piano, Op.17, No. 2》
- Fritz Kreisler《Tambourin Chinois, for violin and piano, Op. 3》
- Frédéric Chopin《Nocturne in C Sharp Minor》
- Manuel de Falla《Suite of Spanish Folksongs》
- Narita Tamezo《Song of the Seashore》
- Irish Folksong《Londonderry Air》
- César Antonovich Cui《Orientale》
- Ede Poldini《Dancing Doll》
- Karl Stamitz《Duet No.2, Op.12》
- Nikolay Rimsky-Korsakov《The Flight of the Bumble Bee(arr.by Heifetz)》
- Scottish Folksong《Annie Laurie》
- Pablo de Sarasate《Zigeunerweisen,Op.20》
- Pablo de Sarasate《Zigeunerweisen,Op.20》
- YU-SIAN DENG《Longing for Spring Breeze》
- YU-SIAN DENG《Flowers in the Rainy Night》
- Edvard Grieg《Morgenstimmung form Peer Gynt Suit No.1》
- Edvard Grieg《Solveig Sang》
- Jean Sibelius《Finlandia》
- David Popper《Once upon More Beautiful Days, Op.64, No.1》
- Yamada Kosaku《The Red Dragonfly》
- Bedrich Smetana《Moldau from Ma vlast》
- Edvard Grieg《Solveig Sang》
- Edvard Grieg《Morgenstimmung form Peer Gynt Suit No.1》
- Pablo de Sarasate《Zigeunerweisen,Op.20》
- Edvard Grieg《Solveig Sang》
- Pyotr(Peter) II'yich Tchaikovsky《Waltz of Flowers from the "Nutcracker" Suite Op.71》
《"Appassionato”from Pieces for Violin and Piano, Op.17, No. 2》
Josef Suk (1874-1935)
A Czech violinist and composer, Josef Suk was Dvořák’s most prized pupil, and subsequently married his daughter. With his works heavily influenced by Viennese composers of an earlier era, notably by those of Schubert and Brahms, his strong personality and immense creativity has already been sensed even in his earlier works. After his marriage in 1898, his works became more emotional, and his use of harmony became more mature. Later in life, he began to make more use of Slav folk music in his works, helping to inject new vitality into Czech music; this use of folk music can be seen in many of his later works. Suk was a prolific composer, and is still regarded as a national icon in the Czech Republic to this day. The time when Suk was a member of the Czech Quartet (1892–1933) was one of his most creative periods, a time when he composed a large number of chamber pieces. He finished four pieces for violin and piano in the spring of 1900, and subsequently performed them with the Czech Quartet in Western Europe and in Russia. These pieces reflect the romanticism typical of Suk’s work and influence of Slav folk music. work and influence of Slav folk music.