Copyright © 2011 Digital Violin Archive Project
of Chimei Museum All Rights Reserved.
Music Appreciation
- / Others /
- Heinrich Biber《Sonata Representativa》
- Sergei Rachmaninoff《Sonata for Cello and Piano in G Minor, Op. 19, Mov. 3》
- Alexander Glazunov《Chant du Ménestrel, Op.71》
- Pyotr Ilyich Tchaikovsky《Nocturne, Op. 19, No. 4》
- Folksong《Jasmine Blossoms in June》
- Charles Auguste de Bériot《Scène de Ballet, Op. 100》
- Josef Suk《"Appassionato”from Pieces for Violin and Piano, Op.17, No. 2》
- Fritz Kreisler《Tambourin Chinois, for violin and piano, Op. 3》
- Frédéric Chopin《Nocturne in C Sharp Minor》
- Manuel de Falla《Suite of Spanish Folksongs》
- Narita Tamezo《Song of the Seashore》
- Irish Folksong《Londonderry Air》
- César Antonovich Cui《Orientale》
- Ede Poldini《Dancing Doll》
- Karl Stamitz《Duet No.2, Op.12》
- Nikolay Rimsky-Korsakov《The Flight of the Bumble Bee(arr.by Heifetz)》
- Scottish Folksong《Annie Laurie》
- Pablo de Sarasate《Zigeunerweisen,Op.20》
- Pablo de Sarasate《Zigeunerweisen,Op.20》
- YU-SIAN DENG《Longing for Spring Breeze》
- YU-SIAN DENG《Flowers in the Rainy Night》
- Edvard Grieg《Morgenstimmung form Peer Gynt Suit No.1》
- Edvard Grieg《Solveig Sang》
- Jean Sibelius《Finlandia》
- David Popper《Once upon More Beautiful Days, Op.64, No.1》
- Yamada Kosaku《The Red Dragonfly》
- Bedrich Smetana《Moldau from Ma vlast》
- Edvard Grieg《Solveig Sang》
- Edvard Grieg《Morgenstimmung form Peer Gynt Suit No.1》
- Pablo de Sarasate《Zigeunerweisen,Op.20》
- Edvard Grieg《Solveig Sang》
- Pyotr(Peter) II'yich Tchaikovsky《Waltz of Flowers from the "Nutcracker" Suite Op.71》
《Jasmine Blossoms in June》
Folksong ()
Jasmine Blossoms in June is a folk song that originated in the coastal districts of Fukien Province in China, brought to Taiwan by Chinese immigrants. Taiwanese lyricist, Hsu Bing-Ting, wrote new words for the song, making it a truly Taiwanese song. The song’s beautiful melody and elegance have made it immensely popular. The song describes the flowering of the jasmine blossoms in June, which symbolize the coming to maturity of a young girl, who is sad because she has no admirers, subtly conveying the girl’s longing for love. This piece for the cello was transcribed by a Chinese composer, Mr. Chen Lechang, who teaches at the Tianjin Conservatory of Music. Divided into three sections, the first section starts with a short piano prelude before moving into the main theme, the folksong, performed by the cellist. In the second section, the prelude is played on the cello, and the piano then takes up the main theme. In the third section, the cello takes up the main theme once more, but with overtones, before the piece winds up with a short concluding section.