Copyright © 2011 Digital Violin Archive Project
of Chimei Museum All Rights Reserved.
Music Appreciation
- / German-Austria Music /
- George Friderick Handel《Sonata for Violin and Basso Continuo in D Major, Op. 1, No. 13》
- Johann Jakob Walther《Scherzo D’Augelli con il Cuccu from Hortulus Chelicus》
- Franz Schubert《Moments musicaux Op.94 No.3》
- Johannes Brahms《Waltz, Op.39, No.5》
- Johann Sebastian Bach《Menuet in G Major》
- Paradis,《Sicilienne》
- Robert Schumann《Abendlied》
- Karl Maria von Weber《Adagio》
- Karl Maria von Weber《Rondo》
- Felix Mendelssohn《Fruhlingslied》
- Ludwig van Beethoven《Menuett in G Major》
- Johannes Brahms《Walzer》
- Karl Maria von Weber《Larghetto》
- George Friderick Handel《Passacaglia》
- Johann Sebastian Bach《Chaconne》
- Ludwig van Beethoven《Romance for Violin and Orchestra in G major, Op. 40》
- Max Reger《Romance in G major》
- Johannes Brahms《Hungarian Dance No.2》
- Franz Schubert《Serenade from The Swan Song》
- Max Bruch《Romance for Viola and Orchestra in F Major, Op. 85》
- Felix Mendelssohn《Son Songs without Words, Op.62, No.1》
- Paul Hindemith《Viola Sonata for viola and piano op.11, No.4, Mov. 1》
- Robert Schumann《Fantasy Pieces》
- Fritz Kreisler《Liebesleid》
- Fritz Kreisler《Liebesleid》
- Johann Baptist Strauss《An der schönen, blauen Donau, Op.314》
- Johann Strauss I《Radetzky March》
- Johannes Brahms《Akademische Fest-Ouvertüre》
- Johannes Brahms《Hungarian Dance No.5》
- Felix Mendelssohn《Auf Flügeln des Gesanges Op.34 No.2》
- Franz Schubert《Ave Maria》
- Lugwig van Beethoven《Symphony No.5, mov. 1》
- Franz Joseph Haydn《"Empero"Strings Quartet in C,Op.76-3r" ,mov. 2》
- Wolfgang Mozart《Symphony No. 40, K. 550, mov. 1》
《Romance for Violin and Orchestra in G major, Op. 40》
Ludwig van Beethoven (1770-1827)
Beethoven was an important composer of the late Classical period, and also opened Germany’s door to Romanticism. The “Romance for Violin and Orchestra in G major” was composed between 1802 and 1803. Although the “Romance for Violin and Orchestra in F major” was written in 1798, it was not published until 1805. Written during his most prolific period, these two pieces are considered two of the subtlest and most elegant compositions that Beethoven ever wrote. The violin introduces the main theme, and then the piano repeats it. After both instruments repeat the theme again, the piano continues for four more measures, ending the first theme. The violin introduces the gorgeous second theme, which is in e minor, while the piano plays the end of the first theme. The two melodies have an intriguing dialogue with each other. The first theme returns at measure 75 during the coda, and then the piece ends splendidly with the whole orchestra in a fortissimo.